AW: No, she actually offered quite a lot of technical advice because - contrary to popular belief - the violin and the cello are really not that different, it's actually the same but just reversed. Theres this idea that we have a literal script in front of us. She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. Cello Suite No. She lives with her husband, Venezuelan conductor Rafael Payare, and their two young children. Alisa Weilerstein always knew that she wanted to be a cellist. Climate & Environment. Alisa Weilerstein & conductor Daniel Barenboim - Elgar & Carter Cello Concertos, Alisa Weilerstein: Master Class (esk filharmonie / Czech Philharmonic), Alisa Weilerstein and Inon Barnatan - Rachmaninovs Sonata for Cello and Piano in G Minor, Alisa Weilerstein plays Bachs Cello Suite No.3, Gigue. What do you think of as being the most important creative resources for doing what you do? Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur genius grant Fellowship in 2011. Cellist Alisa Weilerstein. September 20, 2011 Hear the young cellist discuss her new award and watch her play at the NPR offices. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). Gerardo Antonio Sanchez Torres/courtesy of the artist I am traveling almost all the time. To keep growing with them. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. From Astro to Wadada Leo Smith, Fiona Apple to Frank Ocean, here are 50 albums that made 2012 great. Free to write what he wanted, Moya drew on the personal ties that he has to Weilerstein through the conductor Rafael Payare, her husband. Alisa Weilerstein is one of the foremost cellists of our time. My parents were very conscious to give me as close to a normal childhood as possible, so I had friends, played outside, went to normal school. As a soloist she has performed with a number of other major orchestras on four continents. } Alisa Weilerstein is a young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition. Cellist Alisa Weilerstein Talks Carnegie Hall WWD AT FIRST GLANCE, Fragments might appear to be another of Weilersteins explorations of Bach, a successor to her all-in-one-night performances of the six suites, her emotive recording of them on the Pentatone label and her pandemic streaming series. It gives you a totally new tool. It didnt last. Alisa Weilerstein Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo Im constantly trying to budget my time properly so that I have enough time and head space to really work on the things that I need to do in a practical sense, but also grow as an artist. Caroline Shaw, whose Microfictions for Weilerstein is the second volume in a run of collected miniatures that she has also written for the Mir Quartet and the New York Philharmonic, said that her piece is not an explicit response to Bach, but that his influence was surely present in it. Right now all I really want to do is give.. hide caption. Jamie Jung The goal is always to know these scores better, to truly live with the great masterworkslike the Bach Suites, for example. I do that with great repertoires a lot. Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. Conversation Alisa Weilerstein on what it means to be a classical musician Music , Beginnings, Collaboration, Process From a conversation with T. Cole Rachel April 19, There will be limited program notes in advance, little to guide listeners except their ears and eyes through a collagelike narrative arc assembled from musical fragments. Thats an important skill, unless you are someone who only plays alone always, you have to be able to communicate. Weilerstein and Jason Yoder ( marimba) perform Camille Saint-Sans 's "Le cygne" (The Swan) from The Carnival of the Animals at the White House Evening of Classical Music (November 2009) Problems playing these files? See media help. Alisa Weilerstein (born April 14, 1982) is an American classical cellist. She was named a 2011 MacArthur Fellow. [1] They have one child. Nobody would say otherwise, but I try not to pay too much attention to that. Alisa Weilerstein is one of the foremost cellists of our time. Fresh, moving, timeless, and some of the most beautiful writing I can think of. It gives you a totally new tool. This is important for any musician. There are only a few weeks of the year when Im not on the road. WebAbout Alisa Weilerstein. to a secular Jewish family. California. In this interview from the Harris Hall stage in Aspen, Performance Today's Fred Child talks with renowned cellist Alisa Weilerstein about the Aspen experience, and what the school and festival means to her. Diagnosed with type 1 diabetes at nine years old, Weilerstein is a staunch advocate for the T1D community. I got management early on. I certainly didnt want that and no one around me wanted that for me. She mentioned that her first cello was a cereal box with a chopstick for a bow! Cello virtuoso Alisa Weilerstein is always For reasons she cant explain, she was instantly attracted to the instrument as a small child. To everyones credit, I think, everyone is wrestling with this issue, Weilerstein said in a recent interview from Toronto. This means people can now refer to you as a genius in an official capacity. 1600 Saint-Urbain Street, Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. Its a constant challenge, too. Saturday and Sunday: from 2 hours before the concert starts until 30 minutes after the concert starts She and the cello seem simply to be one and the same, agrees the Los Angeles Times. She left the choice up to them. If Weilersteins response was a common one to a common crisis, the result of her reflections shines with uncommon ambition, so much so that it is hard to think of many soloists of a similar stature who would dare to bring anything like it to the stage. Diagnosed with type 1 diabetes at the age of nine, Weilerstein is a staunch advocate for the T1D community. Alisa Weilerstein Phone: 650-931-2505 | Fax: 650-931-2506 Weilerstein avoids the dance rhythms for the most part, but sometimes, when they serve her purposes, they show up, and the surfaces are strikingly variegated. Weilerstein's artistry comes naturally. Her repertory is wide but has been marked by a focus on contemporary music. Gerardo Antonio Sanchez Torres/courtesy of the artist, Alisa Weilerstein Plays Elgar: Exploring Music With An Intense Past, Young Cellist With An Old Soul Plays Elgar, Elliott Carter, Alisa Weilerstein: Playing Bach With The Fishes, Around The Classical Internet: September 23, 2011, Cellist Alisa Weilerstein Among MacArthur Grant Winners, Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires, Band Of Gypsies: Haydn And Brahms At Spoleto Festival, Alisa Weilerstein: The Art Of Chopin's Cello. Some did, she said, and some very much did not.. Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin 1. You can also deactivate these cookies. I know many people who say, I got inspired by such-and-such conductor when my school took me on a field trip to hear a concert, or such-and-such musician came to my school, and then I knew I loved classical music. The goal is not necessarily that theyll all become musicians, but just that this music will be part of their lives. Its filled with really, really good information. Weilerstein was born in Rochester, New York, on April 14, 1982. December 22, 2012 The albums that sum up our year span genres and borders. The goal is always to know these scores better, to truly, The Creative Independent is ad-free and published by, Master Class (esk filharmonie / Czech Philharmonic), Rachmaninovs Sonata for Cello and Piano in G Minor. Reisers set stays constant, a deconstructed theater arrayed so that it evokes soloists constant struggles to create a room of ones own as they travel the worlds halls, Pulitzer said, and at the same time reawakens the spaces for the people who are familiar with them. Each composer has a specific lighting color, to give a sense of which fragments combine to make wholes. Theres the potential for a really deep kind of collaboration with them, which is kind of unique. FC: So you were just an infant-in-arms for a while, and you started playing cello when you were four. Daniel Day-Lewis tour de force. Monday to Friday: noon to 5 p.m. She spoke to Scott Simon from the Spoleto Festival USA, where she'll be performing through June 12. AW: Well he was just my dad to me, I mean, he wasn't this world famous violinist. One book I would recommend to anyone whos interested in music would be Alex Rosss The Rest Is Noise. Yes, that is weird. For anyone in the classical music world, being able to expose other people to these great works is always something you hope to do. An authority on Bachs music for unaccompanied cello, Weilerstein recently released a best-selling recording of his solo suites on the Pentatone label, streamed them in her innovative #36DaysOfBach project, and deconstructed his beloved G-major prelude in a Vox.com video, viewed almost 1.5 million times. She was recognized with a MacArthur Fellowship in 2011. For that reason, the lack of program notes before the lights go dark, the audience will be given only the most basic information about the project, and the names of the composers they will hear is a core part of Fragments, and a sign, its creators said, that, for all the deliberate, thoughtful artifice, the focus is on the music. Montreal (Quebec) H2X 0S1, Customer Service Hours Alisa Weilerstein - Wikipedia She was awarded the MacArthur genius grant in 2011. I came to Aspen, I think, for 16 summers of my first 18 years of life, so I spent a lot of my formative years here, so it really feels like another home to me. Earlier in their careers, Moya and Payare both played in the Simn Bolvar Symphony Orchestra of Venezuela, a country that has such an addiction to caffeine that it has a precise linguistic taxonomy for coffee and its functions. FC: You spent a lot of time at Aspen as a very young girl. In that sense, theres no substitute for time away. November 6, 2012 Hear an excerpt of MacArthur "genius" cellist Alisa Weilerstein's excellent pairing of the Elgar Cello Concerto recorded with Daniel Barenboim, whose late wife Jacqueline Du Pre's name was synonymous with this piece and the cello concerto by Elliott Carter, who died yesterday at 103. Necessary cookies are absolutely essential for the website to function properly. So each of the six programs, which Weilerstein will offer over the next few seasons, will have a dramaturgical element: Hanako Yamaguchi, the former, longtime director of music programming at Lincoln Center, is her artistic adviser, and her production team includes the director Elkhanah Pulitzer, the set and lighting designer Seth Reiser, and the costumer Carlos J. Soto. Cellist Alisa Weilerstein has appeared with leading orchestras all over the U.S. and Europe and has played chamber music with her parents, both well-known performers, in the Weilerstein Trio. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. For example, as recently as November, Weilerstein still planned to perform the complete Bach suites for cello in Santa Barbara in April of 2021. AW: No, because I was three months old. For aspiring classical musicians, what kind of advice can you offer other than practice, practice, practice? December 4, 2012 The celebrated young American cellist walks us through her recording of this "devastating" concerto written just after the end of World War I. A Cellist Breaks Music Into Fragments, Then Connects Them WebAlisa Weilerstein. She is an ardent champion of contemporary music, and has premiered and championed important new works by composers including Pascal Dusapin, Osvaldo Golijov and Matthias Pintscher. There are myriad reasons, of course, Weilerstein said, exploring the apparent divergence in the fields, but there is one very fundamental thing, which is, you walk into an exhibition, you see the painting or you see the work of art before anything, and it can hit you right where it needs to hit and then you can find out all the context around it. Something I return to every so often is Kunderas The Book of Laughter and Forgetting. We'll assume you're ok with this, but you can opt-out if you wish. Interlude Do you even remember the first time you were here? 2023 Orchestre symphonique de Montral. I was 14 when I went with my manager. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. WebAlisa Weilerstein is one of the foremost cellists of our time. Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo I thought the connotations of being considered a prodigy implied living a very different life than the one I lived. I think of Mozart as a true prodigy. She was awarded the MacArthur genius grant in 2011. The work was co-commissioned with the Detroit Symphony; the Cleveland Orchestra, where Weilerstein performed it last fall; and the National Symphony, where she reprised it in May. I just want to have a kind of outpouring of music, of thoughts, and everything else, she told The New York Times then. She joined the artists who found solace on social media, streaming a movement of Bachs cello suites each day, for 36 days in a row. I never liked that word. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. I also have a young daughter, who is 11 months old. For example, Im about to play the Elgar concerto with the National Symphony in Russia. Labels are generally very, very unhelpful. 1 888 842-9951. The helpful thing is that a lot of repertoires that I have to play are repertoires that Ive done before. Here's a space to search our entire website. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? But for this upcoming performance, itll be my first time that I play it without a conductor, so it should be interesting. For me, it didnt matter whether I was playing in front of people or not. Alisa Weilerstein Weilerstein did set some rules. Business. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur genius grant Fellowship in 2011. I live with his music all the time, I love it deeply, Shaw said, adding that the second book of The Well-Tempered Clavier has been her soundtrack for the past year. You also have to deal with the traveling, which is very tough on the body. Do it for no other reason than that you love it and cant imagine doing anything else. Alex Irvin / Courtesy Aspen Music Festival and School. Box-Office Hours Because its hard enough, even when you love it. Alisa Weilerstein and Inon Barnatan House I realized that what he was telling me was very valuable. She also is active in chamber music and performs with her parents, violinist Donald Weilerstein (the founding first violinist of the Cleveland Quartet) and pianist Vivian Just making sure to get enough sleep, and to have enough space in between engagements, those are things Im not too good at. I think its a fantastic resource, and he writes so beautifully. Cellist Alisa Weilerstein. William Struhs Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo recitalist, chamber musician and concerto soloist with leading orchestras worldwide. I count myself incredibly lucky in that respector maybe I was just very stupid, I dont knowthat I wasnt afraid to be in front of people. Cellist Alisa Weilerstein. We were just working together, and I wanted to be a better musician and a better cellist. This is the philosophy behind the project, fundamentally: connecting the pieces, connecting the voices of our time together, connecting the familiar and the new, connecting this music with the audience without the barrier of so much contextualization, categorization, bias, all of these things., And connecting, she added, our contemporary world with the concert format. Weilerstein recently premiered Joan Towers new cello concerto, A New Day, at the Colorado Music Festival. Jamie Jung Weilerstein has achieved an impressive set, one that stands apart from the hundreds of others available, yet gives the listener the feeling that she might have done it differently the next day. Those were the kind of stories you heard. FC: And you mentioned Dorothy DeLay, who's a legendary violin teacher at Julliard and here in Aspen.
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